Borobudur Relief Panel Narrative Index

Relief 1 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that killing living things results in short lifespan. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 2 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that fondness for murder results in short lifespan. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 3 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that destroying what is in the womb results in a short lifespan. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 4 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that killing and supporting murder results in short life. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 5 on the Hidden Base belongs to the Karmavibhanga cycle. It presents hurting and killing living beings out of fear and fear resulting in short life. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 6 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that praising the abstinence of killing results in longevity. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 7 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that supporting killing taboos results in longevity. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 8 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that saving people from murder results in longevity. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 9 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that releasing animals to be slaughtered results in longevity. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 10 on the Hidden Base belongs to the Karmavibhanga cycle. It presents provides a sense of security resulting in longevity. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 11 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that compassion results in longevity. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 12 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that giving food to those in need results in longevity. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 13 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that hitting others results in many diseases. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 14 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that giving something that is not a medicine to a sick person results in many diseases. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 15 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that giving food that cannot be digested results in many diseases. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 16 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that praising the person who stops the beating results in a little illness. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 17 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that praising the person who stops the beating results in a little illness. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 18 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that caring for a sick parent causes a slight illness. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 19 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that giving effective medication results in fewer illnesses. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 20 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that providing digestible food leads to fewer illnesses. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 21 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that anger results in bad appearance. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 22 on the Hidden Base belongs to the Karmavibhanga cycle. It presents hypocrisy and quarrels result in bad appearance. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 23 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that criticizing and insulting parents results in bad appearance. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 24 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that damaging the lamp in the monastery causes a bad appearance. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 25 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that insulting a bad person results in a bad appearance. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 26 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that giving clothes results in beauty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 27 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that praising parents results in ugliness. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 28 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that praising noble people results in beauty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 29 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that providing decoration results in beauty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 30 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that decorating the monastery results in beauty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 31 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that giving a performance results in beauty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 32 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that not insulting a bad person results in ugliness. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 33 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that caring for monasteries results in beauty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 34 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that envy results in low status. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 35 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that selfishness results in low status. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 36 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that dissatisfaction with the achievements of others results in low status. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 37 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that insulting noble people results in low status. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 38 on the Hidden Base belongs to the Karmavibhanga cycle. It presents praising the roots of evil. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 39 on the Hidden Base belongs to the Karmavibhanga cycle. It presents insulting people is underestimated resulting in low status. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 40 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that accepting praise to others results in being respected by others. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 41 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that giving an umbrella results in being respected by others. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 42 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that developing Bodhicitta results in being respected by others. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 43 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that building a monastery results in being respected by others. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 44 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that upholding the roots of goodness results in being respected by others. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 45 on the Hidden Base belongs to the Karmavibhanga cycle. It presents respected. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 46 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that building the roots of goodness results in being respected by others. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 47 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that building a monastery results in being respected by others. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 48 on the Hidden Base belongs to the Karmavibhanga cycle. It presents stubbornness and arrogance result in rebirth in low families. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 49 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that not being devoted to the brahmins resulted in rebirth in lowly families. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 50 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that not acknowledging parents results in rebirth in low-income families. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 51 on the Hidden Base belongs to the Karmavibhanga cycle. It presents severely damaged panels. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 52 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that not serving a moral monk results in rebirth in a lowly family. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 53 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that insulting people from low families results in rebirth in low families. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 54 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that acknowledging parents results in rebirth in high families. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 55 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that devotion to ascetics and brahmins resulted in rebirth in high families. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 56 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that serving parents results in rebirth in high families. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 57 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that serving noble people who are moral results in rebirth in a high family. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 58 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that serving teachers results in rebirth in high families. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 59 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that not insulting people from low families results in rebirth in high families. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 60 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that taking what is not given results in poverty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 61 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that taking what is not given results in poverty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 62 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that supporting to take what is not given results in poverty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 63 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that cutting off parental support leads to poverty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 64 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that cutting off the livelihood of others results in poverty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 65 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that rejoicing over the hunger of others results in poverty. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 66 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that stop taking what is not given results in wealth. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 67 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that confinement from taking what is not given results in wealth. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 68 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that providing for parents results in wealth. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 69 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that supporting noble people who are moral results in wealth. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 70 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that supporting the sick results in wealth. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 71 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that supporting the sick results in wealth. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 72 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that supporting the sick results in wealth. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 73 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that supporting the sick results in wealth. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 74 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that not asking wise people results in a lack of wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 75 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that not asking wise people results in a lack of wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 76 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that exposing what is not Dharma results in a lack of wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 77 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that denouncing the Dharma results in a lack of wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 78 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that cutting support for teachers results in a lack of wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 79 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that gathering with Brahmins resulted in great wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 80 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that expounding the true Dharma results in great wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 81 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that praising the Dharma teacher results in great wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 82 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that avoiding the unhelpful results in great wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 83 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that praising a righteous view results in great wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 84 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that denouncing wrong views results in great wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 85 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that explaining the bad nature of alcoholic beverages results in great wisdom. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 86 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that killing humans and animals results in rebirth in hell. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 87 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that beheading and trapping results in rebirth in hell. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 88 on the Hidden Base belongs to the Karmavibhanga cycle. It presents wrong words and deeds result in rebirth in hell. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 89 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that killing animals and humans results in rebirth in hell. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 90 on the Hidden Base belongs to the Karmavibhanga cycle. It presents drunkenness and prostitution result in rebirth in hell. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 91 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that supporting violence and killing birds results in rebirth in hell. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 92 on the Hidden Base belongs to the Karmavibhanga cycle. It presents adultery and murder result in rebirth in hell. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 93 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that wrong livelihood through words and deeds results in rebirth as an animal. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 94 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that an incomprehensible act resulted in rebirth as Garuda and Naga. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 95 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that wrong livelihood results in rebirth in Yama's realm of power. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 96 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that pride and wrongdoing resulted in rebirth in the Asura realm. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 97 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that self-control results in rebirth as a human being. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 98 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that abstinence from wrong speech results in rebirth as a human being. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 99 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that not greed results in rebirth as a human being. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 100 on the Hidden Base belongs to the Karmavibhanga cycle. It presents generosity and self-control result in rebirth as a human being. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 101 on the Hidden Base belongs to the Karmavibhanga cycle. It presents good deeds result in rebirth in the intestinal paradise. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 102 on the Hidden Base belongs to the Karmavibhanga cycle. It presents ten deeds result in rebirth in the dendrical paradise. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 103 on the Hidden Base belongs to the Karmavibhanga cycle. It presents good deeds result in rebirth in the intestinal paradise. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 104 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that meditating until reaching deep concentration results in being born in the realm of Brahma Forms. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 105 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that meditating until attaining profound concentration without form results in being born in the realm of Arupa Brahma. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 106 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that feeding results in rebirth in the intestinal paradise. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 107 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that dressing results in rebirth in the intestinal paradise. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 108 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that gifting results in rebirth in the dendrical paradise. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 109 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that not regretting wrong deeds results in rebirth in hell for a long time. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 110 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that regretting wrong deeds results in rebirth in hell for a short time. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 111 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that regretting good deeds causes the rich to become poor. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 112 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that rejoicing in good deeds done with difficulty results in the poor becoming rich. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 113 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that offering with joy results in great wealth. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 114 on the Hidden Base belongs to the Karmavibhanga cycle. It presents relief not yet finished. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 115 on the Hidden Base belongs to the Karmavibhanga cycle. It presents a person makes an offering but does not repeat it. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 116 on the Hidden Base belongs to the Karmavibhanga cycle. It presents someone makes an offering and repeats it. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 117 on the Hidden Base belongs to the Karmavibhanga cycle. It presents someone performs a performance. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 118 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that killing results in a decrease in the earth's power. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 119 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that telling lies causes diseases of the mouth. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 120 on the Hidden Base belongs to the Karmavibhanga cycle. It presents divisive speech. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 121 on the Hidden Base belongs to the Karmavibhanga cycle. It presents greed and ill will. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 122 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that wrong view results in bitter fruit. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 123 on the Hidden Base belongs to the Karmavibhanga cycle. It presents abstinence from making mistakes produces power for the earth. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 124 on the Hidden Base belongs to the Karmavibhanga cycle. It presents paying homage to the memorial building (caitya), a person becomes beautiful. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 125 on the Hidden Base belongs to the Karmavibhanga cycle. It presents someone gets a good voice and a good friend. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 126 on the Hidden Base belongs to the Karmavibhanga cycle. It presents a person has wealth and is reborn in heaven. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 127 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that giving an umbrella results in a person not experiencing overheating both in body and mind. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 128 on the Hidden Base belongs to the Karmavibhanga cycle. It presents a person is in the circle of respected people. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 129 on the Hidden Base belongs to the Karmavibhanga cycle. It presents someone becomes the king of the universe. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 130 on the Hidden Base belongs to the Karmavibhanga cycle. It presents born again in heaven. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 131 on the Hidden Base belongs to the Karmavibhanga cycle. It presents giving bells to the monastery, one is in the circle of respected people. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 132 on the Hidden Base belongs to the Karmavibhanga cycle. It presents king of the universe. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 133 on the Hidden Base belongs to the Karmavibhanga cycle. It presents pleasant greetings and knowing past lives. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 134 on the Hidden Base belongs to the Karmavibhanga cycle. It presents great wealth and rebirth in heaven. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 135 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by giving clothes, a person becomes beautiful. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 136 on the Hidden Base belongs to the Karmavibhanga cycle. It presents great wealth. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 137 on the Hidden Base belongs to the Karmavibhanga cycle. It presents being born again in heaven. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 138 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by giving vessels, one becomes a vessel for the Dharma. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 139 on the Hidden Base belongs to the Karmavibhanga cycle. It presents great wealth. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 140 on the Hidden Base belongs to the Karmavibhanga cycle. It presents being born again in heaven. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 141 on the Hidden Base belongs to the Karmavibhanga cycle. It presents giving a banner. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 142 on the Hidden Base belongs to the Karmavibhanga cycle. It presents great wealth. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 143 on the Hidden Base belongs to the Karmavibhanga cycle. It presents being born again in heaven. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 144 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by giving food, a person becomes beautiful. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 145 on the Hidden Base belongs to the Karmavibhanga cycle. It presents a person is visited by many people. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 146 on the Hidden Base belongs to the Karmavibhanga cycle. It presents great wealth. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 147 on the Hidden Base belongs to the Karmavibhanga cycle. It presents being born again in heaven. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 148 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by giving drinks, one has great wealth. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 149 on the Hidden Base belongs to the Karmavibhanga cycle. It presents being born again in heaven. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 150 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by providing footwear, a person has enough vehicles. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 151 on the Hidden Base belongs to the Karmavibhanga cycle. It presents great wealth. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 152 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by giving flowers sown, a person is reborn in heaven. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 153 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by giving a string of flowers, a person has great wealth. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 154 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by giving incense, a person has great wealth. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 155 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by giving a lamp, a person is reborn in heaven. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 156 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by giving a seat, one has great wealth. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 157 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by paying tribute, one has great wealth. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 158 on the Hidden Base belongs to the Karmavibhanga cycle. It presents by providing protection, a person becomes king. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 159 on the Hidden Base belongs to the Karmavibhanga cycle. It presents king of the universe. The panel supports research on Borobudur's hidden base, Buddhist karma doctrine, moral causality, and early Javanese narrative relief art.

Relief 160 on the Hidden Base belongs to the Karmavibhanga cycle. It presents the karmic lesson that becoming an ascetic results in being reborn in heaven. The panel is useful for identifying how Borobudur visualizes moral action, consequence, rebirth, and Buddhist ethical teaching in narrative stone relief.

Relief 1 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva birth celebration. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 2 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva learns the Dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 3 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva self-sacrificing. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 4 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the disciples pay homage to the Bodhisattva's body. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 5 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king meets with the beggars. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 6 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king gave to the beggars. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 7 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra asks for an eye from the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 8 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra restores the king's vision. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 9 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king taught the Dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 10 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the waiter invites the ascetics to lunch. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 11 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts girl donates leftovers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 12 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king told the queen about his past birth. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 13 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king taught the Dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 14 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts female dancers, palace officials, and bodyguards. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 15 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva and his wife. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 16 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva brings food to Pratyekabuddha. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 17 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Pratyekabuddha and the scene in hell. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 18 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Pratyekabuddha flies into space. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 19 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts aviṣahya sits with his wife. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 20 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts aviṣahya gave donations to the brahmins. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 21 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts aviṣahya continued his good deeds. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 22 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts aviṣahya received back his wealth. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 23 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra enters the forest. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 24 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra pleads with four companions. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 25 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the rabbit is preparing to sacrifice itself. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 26 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva as housekeeper and ascetic. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 27 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ascetics prepare to give donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 28 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Pratyekabuddha receives donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 29 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra observes. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 30 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the servants brought donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 31 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts cattle herdsmen and yakṣa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 32 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts three other yakṣas. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 33 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts maitrībala and his queen. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 34 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts five yakṣas. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 35 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king Sañjaya and his son Viśvantara. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 36 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the brahmins asked for their elephants. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 37 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts viśvantara donates his elephant. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 38 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts expulsion of Viśvantara. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 39 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts viśvantara's Return. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 40 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king urged to make sacrifices. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 41 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king gives the order. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 42 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts announcement made. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 43 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the people praise the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 44 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra sits on his throne. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 45 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts female dancers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 46 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts orchestra Hall. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 47a in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the battle between the gods and the asuras. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 47b in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts brahmins give orders. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 48 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts merchants visit kings. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 49 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts unmādayantī entertained the brahmins. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 50 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the brahmins reported back to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 51 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king sees Unmādayantī. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 52 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king meets husband. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 53 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts merchant approaching Supāraga. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 54 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ships in great distress. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 55 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts merchants thank Supāraga. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 56 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra and Airāvata above the pond. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 57 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the gods looked out over the pond in the direction below. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 58 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva makes a statement of truth. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 59 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra in disguise teaches the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 60 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts unknown. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 61 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts unknown. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 62 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva distributes donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 63 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts colleagues and family visiting ascetics. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 64 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts unknown. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 65 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts sister and two younger brothers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 66 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the bodhisattva taught all his brothers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 67 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts collecting lotus stalks. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 68 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra returns the lotus stalk. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 69 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts mother talking to her daughter. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 70 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts treasurer informed of his release. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 71 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the treasurer informs the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 72 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts companions obstruct bodhisattva. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 73 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king meets the ascetics. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 74 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king with a long bow. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 75 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the Woman Was Carried With A Stretcher. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 76 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king makes his decision at court. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 77 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts for the Swans in the Lake Maranasa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 78 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king consults with his advisers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 79 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts hunters freed the geese. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 80 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the geese teach before the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 81 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king was informed of the presence of Mahābodhi. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 82 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts mahābodhi came to the palace. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 83 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts mahābodhi teaches the Dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 84 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts mahābodhi teaches the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 85 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts mahābodhi teaches the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 86 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts apes and people. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 87 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts on the edge of the forest. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 88 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts meeting with the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 89 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king holds a meeting. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 90 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king goes hunting. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 91 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king is in the abyss. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 92 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts śarabha saves the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 93 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts śarabha bids farewell to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 94 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king meets with five people. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 95 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts forest animals. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 96 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ruth deer save people. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 97 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king finds a deer. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 98 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts deer ruru in the kingdom. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 99 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts palace officials and elephants. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 100 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king and figs. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 101 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king follows the direction of the source of the scented aroma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 102 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts attacks on the apes. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 103 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king fell asleep. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 104 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king enters the forest. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 105 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts woman under a tree. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 106 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts women's procession. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 107 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ksāntivādī teaches patience. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 108 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva is born as Brahmā. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 109 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Brahmā meets the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 110 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the government officials listened to the message from the brahmā. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 111 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva teaches the Dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 112 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva meets one exiled person. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 113 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts rows of exiled people. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 114 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva rushes to sacrifice himself. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 115 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts honoring sacrifice. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 116 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts brahmins meet Prince Sutasoma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 117 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts sutasoma was taken away by Kalmāsapada. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 118 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts sutasoma meets a brahmin. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 119 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts sutasoma teaches Kalmāsapada. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 120 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts birth of Ayogrha. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 121 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts celebrations for children. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 122 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king and his son. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 123 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ayogrha goes to the festival. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 124 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts prince contemplating release. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 125 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the prince informs the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 126 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ayogrha Departure. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 127 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ayogrha sits in meditation. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 128 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buffalo is in the forest. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 129 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts bodhisattvas and apes. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 130 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts yakṣa questioned the apes. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 131 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monkeys close the eyes of buffaloes. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 132 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts yakṣa honors the Bodhisattva. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 133 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts lion rejects woodpecker. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 134 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts lion stuck with bone in throat. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 135 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts woodpeckers remove bones. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 136 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts lions are afraid of wolves. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 137 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monkeys, birds, and wolves. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 138 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts birds in the trees and fish in the river. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 139 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts young elephant guides his mother. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 140 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts people in the jungle scene. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 141 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts some people sit on the floor. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 142 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts brahmins and men. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 143 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts seven spectators. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 144 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts standing figures. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 145 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts son is shown to the queen. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 146 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts sons are shown to the brahmins. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 147 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the nobles warn the boys. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 148 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts son is shown to a brahmin. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 149 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts two brahmins under a tree. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 150 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts aristocrats in a platform. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 151 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the Brahmin spectators. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 152 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts festivals in the kingdom. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 153 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts celebrations extended. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 154 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts arrange workers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 155 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts tray containing lotus. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 156 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king gives advice. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 157 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts money jug. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 158 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts taken into space. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 159 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts lying in the forest. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 160 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts man and vulture. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 161 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva holds a court. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 162 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva hears petition. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 163 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva meets women. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 164 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva meets man. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 165 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva meets woman. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 166 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts garuda and others. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 167 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva teaches the Dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 168 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts two pennants. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 169 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king Magadha and the Serpents. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 170 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts male and female bodhisattvavs. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 171 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts three women. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 172 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts three more women. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 173 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts missing reliefs. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 174 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts missing reliefs. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 175 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts surūpa offers gold for the Dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 176 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts surūpa presents his son. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 177 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts six palace officials. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 178 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts yakṣa teaches the Dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 179 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts four people listening to the Dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 180 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts meditator and two others. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 181 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the Bodhisattva taught the other two. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 182 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts castle scene. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 183 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva sits comfortably. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 184 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts interview with monk. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 185 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts lying on your lap. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 186 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts three nobles (almost all reliefs are gone). The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 187 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts bodhisattvas and hunters. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 188 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva undergoes uposatha. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 189 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts serpent king and queen. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 190 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts four Serpents in the forest. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 191 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king received the honour. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 192 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts turtles and fish in the sea. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 193 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ship wreck. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 194 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts humans are saved by turtles. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 195 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts turtles teach dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 196 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva feeding his mother. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 197 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva carrying his mother. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 198 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva takes care of his mother. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 199 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts hunters aim at monkeys. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 200 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts employees walk and sit. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 201 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king hears the petition. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 202 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king divides the donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 203 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts looking forward to donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 204 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts barriers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 205 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts meeting with the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 206 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts brahmins and kings. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 207 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king is sitting meditating. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 208 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king's Escort. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 209 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva gives his blessings. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 210 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva gives alms. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 211 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts two Bodhisattvas discuss the Dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 212 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts giving a presentation. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 213 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts worshipping the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 214 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts application. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 215 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts apply to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 216 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts brahmins approach the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 217 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts beggar approaches the queen. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 218 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts split donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 219 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts donating clothes. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 220 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts offerings to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 221 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts serpent in the lotus pool. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 222 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts two men under a tree. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 223 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva and his handmaid. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 224 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts two men under a tree. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 225 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king blessed four men. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 226 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king turned away from the two brahmins. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 227 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the gods poured out wealth. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 228 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva in a lying posture. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 229 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts a group of men standing. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 230 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra and bodhisattva. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 231 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts bodhisattvas and servants. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 232 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra pays homage. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 233a in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts dance party. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 233b in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts group with offerings. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 234 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks and housewives. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 235 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha and the gods. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 236 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts five people salute. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 237 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts saluting. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 238 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks revere the Buddha. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 239 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha gives blessings. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 240 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts households pay tribute. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 241 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts barriers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 242 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the housewives saluted. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 243 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha in teaching posture. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 244 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva worships buddha. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 245 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts meetings with nobles. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 246 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts offerings for monks. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 247 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monk Questions. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 248 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra worships monks. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 249 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks fly with the gods. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 250 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the gods pay homage. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 251 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts four monks pay homage. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 252 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha in teaching posture. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 253 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Śakra worships Buddha. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 254 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts barriers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 255 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts four monks and three trees. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 256 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha and the two gods. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 257 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king pays homage. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 258 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts women with offerings. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 259 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts overflow of wealth. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 260 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva shares his wealth. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 261 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts grab wealth. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 262 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts barriers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 263 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts noble and two monks. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 264 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha in teaching posture. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 265 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king and the three women. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 266 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts arakan. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 267 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts a jug of great treasure. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 268 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva and his entourage. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 269 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monk with two disciples. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 270 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts two monks and two other disciples. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 271 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts teaching housekeepers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 272 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts offerings for monks. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 273 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monk blesses two people. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 274 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts adoring the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 275 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts set up an ordination. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 276 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva teaches. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 277 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king worships the bodhisattva. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 278 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts palace officials watch the parade. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 279 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts palace officials. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 280 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts entourage. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 281 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts bodhisattvas and women. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 282 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the Queen and the servants. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 283 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts other groups. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 284 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts eight palace officials. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 285 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king of the universe. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 286 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts gem Girl. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 287 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts horse and elephant gems. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 288 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king of the universe in conversation. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 289 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts four gods fly in the sky. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 290 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king of the universe and the queen in the chariot. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 291 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts four gems. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 292 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts four wise men bring gifts. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 293 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts advanced Arakan. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 294 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts seven palace officials. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 295 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva relaxing. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 296 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts guards. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 297 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts barriers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 298 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts female bodhisattva sitting relaxed. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 299 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts female bodhisattva with raised hands. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 300 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts female dancers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 301 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts barriers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 302 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks and housewives. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 303 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha warding off evil. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 304 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts followers and servants. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 305 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts group of 12 people. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 306 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king sits relaxed. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 307 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts followers and servants. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 308 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts four men. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 309 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts arakan / procession to the right. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 310 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts five monks. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 311 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts kings and queens worship Buddha. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 312 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts five more monks. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 313 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts relief badly damaged. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 314 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts other Arakan. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 315 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts five monks go around receiving donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 316 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha receives homage. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 317 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts five women. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 318 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts musicians and one dancer. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 319 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts five monks under a tree. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 320 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha in teaching posture. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 321 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the women saluted. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 322 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts barriers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 323 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts four monks under a tree. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 324 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha in teaching posture. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 325 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts three women saluting. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 326 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts arakan. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 327 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts seven monks and two gods. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 328 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha in teaching posture. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 329 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts five nuns and three gods. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 330 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts female bodhisattva with servants. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 331 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva with a maid. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 332 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts worship of Bodhisattva. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 333 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king sits with the servants. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 334 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ten male figures. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 335 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks receive offerings. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 336 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts poor man pulls a plow. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 337 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks receive homage. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 338 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks and water donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 339 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts nanda sat in her palace. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 340 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts sundarī sits in the palace. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 341 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king Śuddhodana sits in the palace. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 342 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha teaching. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 343 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha goes around receiving donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 344 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts three monks go around receiving donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 345 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts nanda brings a bowl of Buddhist alms. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 346 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monastery. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 347 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha took Nanda to heaven. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 348 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts nanda and the apsaras (angels). The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 349 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha gives blessings. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 350 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts nanda sat meditating. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 351 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts barriers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 352 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts six monks. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 353 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts three monks. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 354 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts petition the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 355 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts barriers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 356 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the monks outside the building. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 357 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha in a posture of endowment. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 358 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts most of them are missing. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 359 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts procession. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 360 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts palace and tree officials. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 361 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts five monks under a tree. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 362 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts buddha and three women. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 363 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ordinary people with gifts. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 364 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts barriers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 365 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva receives homage. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 366 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts performances at the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 367 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts followers with large jugs. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 368 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts barriers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 369 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts five followers. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 370 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king receives the visitors. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 371 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts tree of grant of application and property. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 372 in Jataka 1 (Lower level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the ascetic and the four animals. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 1 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts dancing Girl. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 2 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts pirates and the rich. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 3 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king receives distinguished guests. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 4a in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monk meditating in the forest. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 4b in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monk visited by king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 5 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monk visited by king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 6 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks teach Serpents. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 7 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king sends wealth to be shared. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 8 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts procession. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 9 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts man approaches queen. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 10 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the nuns while studying. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 11 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts couple receives three guests. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 12a in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king receives the guests. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 12b in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts someone receives visitors. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 13 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monk builds stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 14 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monk in three scenes. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 15 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts banquet. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 16 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts raja and Pratyekabuddha. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 17 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king receives visitors. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 18 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts interviews and the gods flying in space. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 19 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the gods visit the king at night. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 20 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts offerings brought to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 21 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts arakan. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 22 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king receives the visitors. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 23 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts broken relief. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 24 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king received the honour. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 25 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king in the palace. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 26 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts a tribute to the three stupas. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 27 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts queen in the palace. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 28 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts in front of the palace. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 29 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king and queen receive guests. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 30 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts parade scene. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 31 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts broken relief. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 32 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts broken relief. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 33 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts palace and the tree of supplication. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 34 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts no relief (missing). The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 35 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts presentation to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 36 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts lotus and kinnara ponds. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 37 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts meetings. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 38 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts train enters the wilderness. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 39 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts in the lotus pond. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 40 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts go to the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 41 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts bulls and lions. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 42 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks in the temple. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 43 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts watch dancers and musicians. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 44 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts gods flying in the air. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 45 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts worship in the temple. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 46 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts procession to the left. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 47 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king receives the visitors. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 48 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king accepts the brahmins. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 49 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king received the honour. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 50 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts bringing a duck to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 51 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king watching the dance. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 52 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks meet female housewives. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 53 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts children given to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 54 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts adoring the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 55 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts sitting with the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 56 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts adoring the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 57 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts visiting the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 58 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts respect for the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 59 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts respect for the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 60 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts adoring the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 61 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts Bodhisattva meets king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 62 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts adoring the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 63 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ten men visit the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 64 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts incense offerings in stupas. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 65 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts king with three visitors. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 66 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts music in the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 67 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts dignitaries visit the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 68 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts arakan to the temple. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 69 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts visiting the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 70 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king receives the Bodhisattva. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 71 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts three scenes with monks. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 72 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts hunting parties in the wilderness. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 73 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts visiting kings and worshipping stupas. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 74 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts visiting the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 75 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts worship a Bodhisattva in meditation. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 76 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts giant fish. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 77 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king walks with his women. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 78 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts two kings discuss. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 79 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts wise men and rabbits. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 80 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts dice Games. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 81 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts elephants are shown in the palace. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 82 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts none. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 83 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts offerings to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 84 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks visit monasteries. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 85 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts banquet in the palace. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 86 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the king receives the visitors. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 87 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts ten visitors meet the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 88 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts eight visitors meet the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 89 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts dancers and gamelan. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 90 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts performances at the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 91 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts bringing children to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 92 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts visiting the relic storage. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 93 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts making offerings in the temple. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 94 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monk teaching large group. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 95 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts showing a child. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 96 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts giving a floral arrangement. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 97 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks and monasteries. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 98 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks accept donations. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 99 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts visiting monks in monasteries. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 100 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts leaving a child to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 101 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts holding a high stick. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 102 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts adoring the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 103 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts meeting with the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 104 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks' group. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 105 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts elephant meets monks. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 106 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts performing puja in a monastery. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 107 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts making and storing jugs. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 108 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts bringing a jug to the householder. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 109 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts adoring the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 110 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks holding books in the monastery. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 111 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts deer hunting in the wilderness. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 112 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts adoring the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 113 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts meeting with the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 114 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts meeting with the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 115 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts carriages and horses. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 116 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts a meeting with the queen. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 117 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts nuns receive ordination. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 118 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts adoring the stupa. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 119 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts the child was brought to the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 120 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts large group visits the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 121-123 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts heavily damaged or missing reliefs. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 124 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts some women visit the king. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 125a in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts female procession. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 125b in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts monks perform puja in monasteries. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 126 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts two scenes about teaching. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 127 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts offerings for nuns. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 128 in Jataka 2 (Upper Level) on Level 1 presents a Jataka narrative connected with the Bodhisattva's former lives. The scene depicts nuns teach the Dharma. The panel is important for studying Borobudur Jataka reliefs, Buddhist moral stories, generosity, compassion, sacrifice, kingship, and ethical formation.

Relief 1 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts in His palace in Tusita Heaven, the Bodhisattva Śvetaketu sat surrounded by heavenly dancers and musicians, along with other gods, who encouraged Him to be reborn for the welfare of the gods and humans. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 2 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts Bodhisattva sits on the throne. The gods lined up in a neat manner and respectfully, He announced His decision to return to Earth. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 3 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the gods of the Pure Land disguised as brahmins, descended to earth, announcing that the Bodhisattva would be born. They show how to know Him and His two choices: to become the King of the Universe, or to become a Samyaksambuddha. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 4 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts other gods descended to earth to tell the Pratyekabuddhas about the birth of the Bodhisattva in 12 years. They were asked to leave the earth because there could not be Pratyekabuddha on earth when the Buddha and His teachings were still in existence. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 5 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts in the palace, the Bodhisattva gave the teachings of 108 Dharmalokamukha (The Way to the Light of Dharma) to the gods. The palace was so beautiful, that the palaces of the other gods looked like a dumping ground. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 6 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts Bodhisattva Śvetaketu handed over His crown to Bodhisattva Maitreya, announcing that Maitreya would become the next Buddha, after His Teachings ended, and Maitreya would temporarily teach the Dharma. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 7 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the bodhisattva asked the gods what form he should wear when he entered the womb of his rebirth. The gods suggested different forms. A former resi mandraguna suggested that he take the form of a white elephant with six pairs. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 8 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts queen Maha Maya met King Śuddhodana for permission to fast for eight days and secluded to the Palace of Dhṛtarāṣṭra, where she would live a noble life and do virtuous deeds. The king gave his blessing. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 9 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts living a noble life, Queen Maha Maya sat in the Dhṛtarāṣṭra Palace surrounded by courtiers. The goddesses came to salute. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 10 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the gods gathered to discuss who would accompany the Bodhisattva in His life on Earth. They praise the benefits that His companion will experience, from rebirth in various heavens to the attainment of Nirvana. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 11 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the gods surround the Bodhisattva, singing hymns, foretelling the great achievements He will achieve. They encouraged each other to accompany the Great Being down to Earth. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 12 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the gods assembled, in a grand festive procession, holding banners, flags, and umbrellas, as the Bodhisattva prepared to descend from His heavenly palace into the womb. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 13 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts queen Maya lay asleep in her bed. The ladies were watching, some were massaging their legs. On the left, the Bodhisattva in the form of a white elephant can be seen descending under the shade of an umbrella. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 14 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts Bodhisattva sits in a palace in the womb of the queen. On both sides there are guardians of the world (lokapala), and many gods fly in the sky and sit on the floor around Him. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 15 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts queen Maya, accompanied by her riders entering the Asoka Tree Garden, she sent a request to her husband, the king, to come and meet her. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 16 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts king Śuddhodana, approaching the park on his elephant. The queen told the king about her dream and asked the brahmins to come and interpret the dream. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 17 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts queen Maya explained to the brahmins the contents of her dream, and asked them to interpret it. The Brahmins agreed. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 18 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the brahmins appeased the queen, and told her that this was a good omen, for a son was about to be born. They predicted that he would become the king of the universe, but he would leave home and become a Buddha. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 19 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts king Śuddhodana was pleased with the words of the brahmins. According to tradition, offer bountiful gifts, and arrange gifts for other brahmins in the city. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 20 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts king Śuddhodana announced that he would build a palace for the queen so that she could be comfortable during her pregnancy. The gods who gathered competed against each other giving the palace a larger and more grandiose one. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 21 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts all the palaces were completed. With the power of Bodhisattva meditation, queen and Bodhisattva seem to inhabit every palace. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 22 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the king gave donations to the poor. The queen, with the power of the Bodhisattva, is able to heal the sick by placing her right hand on their head. He was also able to find medicinal plants and roots for people. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 23 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the king and the leaders of the Sakya tribe gave massive donations to the poor at the four gates and throughout the city to celebrate the Bodhisattva's embrace. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 24 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the king sat on the right and visited the Mayan queen, who was sitting in the front, and asked about her health. The dayangs are in the hermitage forest. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 25 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts in the tenth month, towards the end of the pregnancy, there are 30 signs that precede the birth of the Bodhisattva, one of which is that the lions descend from the Himalayas to the city gate, but do not hurt at all, the elephants reverence the king, and the gods assemble. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 26 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts approaching the time of childbirth, the queen asked to go to the garden, in order to give peace to her mind; The king gave his blessing and made preparations for the journey. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 27 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the virtual queen boarded a special carriage, without anyone else allowed to board, and was taken to Lumbini Park. The Four Emperors of the Gods pulled the chariot, Sakra cleared the road, and Brahma drove the road. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 28 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts queen Maya stood in the beautiful Lumbini Park and held the branches of a white banyan tree, preparing to give birth. Holding a jug of water for washing, Sakra and Brahma Sahampati knelt down, waiting to welcome the child. Other gods also welcomed. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 29 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts after the birth of the Bodhisattva, king Śuddhodana held a seven-day celebration. During that time, many people came with good news about good things in the land, Sakra and Brahma participated in their disguise. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 30 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts after queen Maya died, seven days after giving birth, her younger brother, Maha Prajapati Gautami, who was also a queen, nurtured and raised the child like her own son. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 31 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the great ascetic Asita came to see the newborn baby. He recognized the 32 characteristics of a great man and predicted that this baby would become a Buddha. He then cried, because his life was not long enough to hear the Buddha's teachings. Other Brahmins predicted that in his life he would become the king of the universe or that he would become a Buddha. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 32 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the gods, led by Sureswara approached the city, begging for permission to enter the palace to see the Bodhisattva. King Śuddhodana granted it. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 33 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the elders of the Sakya advised the king to take the child to the temple, but the Bodhisattva questioned that since he was born the gods had worshipped him, so why now should he worship them?. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 34 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the king made sure the city was cleaned up and the Bodhisattva was taken across the streets in a grand chariot. The king sat in the front with the Bodhisattva. The other Sakya elders sat in the back. The participants carried umbrellas and flags. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 35 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts upon arriving at the temple, all the statues of the gods Shiva, Skanda, Narayana, Kubera, and others descend from the altar to prostrate to the Bodhisattva. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 36 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the brahmins suggested that the Bodhisattva should be made of jewelry. But when the jewelry was brought to the prince, everything faded due to the glitter of the Bodhisattva's body. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 37 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the prince went to school. He was escorted by the king who led ten thousand other children, as well as many gifts for the venerable teacher Vishwamitra, who prostrated himself when the prince entered. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 38 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts in his first lesson, the prince expounded the Dharma so that the other students could benefit. Lalitavistara stated that this was the real reason she attended school, not because she needed to study. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 39 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts one day, the Bodhisattva, without telling His parents, took a carriage and drove out of town to see the villages. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 40 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the bodhisattva understood the dangers of plowing the ground, then sat down under the guava tree and began to meditate. He attains four stages of silence (dhyana). The sun moves as he meditates but the shadow remains overshadowed, keeping him shaded. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 41 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts king Śuddhodana was urged by the elders of the family to marry the prince so that he would not abandon worldliness. The king agreed and asked for a search for a suitable girl. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 42 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts all the girls gathered, displaying themselves. Unable to withstand the prince's stunning bearing, they retreated. Then came Gopa, who was steadfast in front of the prince. The prince also gave his ring to Gopa. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 43 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the king sent a request to Gopa's parents to marry her off to the prince. But, they wanted to see the prince prove himself. The announcement was broadcast and the prince demonstrated his skills for seven days. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 44 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts devadatta, the prince's cousin, saw a white elephant brought to the city for Sarvārthasiddha. Jealous, he killed her. The dead elephant blocked the entrance to the city. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 45 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the prince's younger brother, Sundarānanda, who was traveling in a horse-drawn carriage, removed the elephant from the city gate. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 46 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the prince was tested for his knowledge of calculations and astrology. The prince answered all of them steadily. The astrologers stated that they should learn from the prince. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 47 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts prince competed with other participants in javelin throw, jumping, running, and wrestling. He succeeded in all the matches. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 48 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the other princes, his rivals, were unable to match the prince Sarvarthasiddha. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 49 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the prince showed his dexterity in archery. It hit the target for several kilometers, piercing seven palm trees with a single arrow. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 50 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts dandapani, Gopa's father gave his daughter his blessing to marry the young prince. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 51 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts prince and Gopa in the palace. Gopa was introduced as the palace queen. On the right, Gopa explains why he doesn't wear a veil. He said that those who are virtuous do not need face coverings. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 52 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the gods are now eager to visit the Bodhisattva and pay their respects to him, waiting for the time when he will attain enlightenment. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 53 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts while the prince was at his residence, surrounded by his palace, many other gods and majestic beings came and reminded him of his duty to advance and strive towards Buddhahood. Basically, the Bodhisattva does not need to be advised, but it is a tradition that the gods need to make supplications. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 54 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts king Śuddhodana prevented the prince from leaving home life by building three palaces for three seasons and showering Him with luxury, diverting Him with sensory pleasures. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 55 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the prince asked his coachman to accompany him to visit the outside world. The king allowed, thinking that he would appreciate the life of his court even more. The king prepares the city to be clean of unpleasant sights and sounds. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 56 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts as the prince passed through the city's eastern gate, the gods created the form of an old man. Realizing the truth of his old age, the prince asked to return to the palace. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 57 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts for the second time, the prince asked permission to go to the city and a train was prepared. Passing through the south gate, he saw the sick, and realized the truth that all can be sick. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 58 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts on His third visit outside the palace, the prince passed through the west gate and saw a man lying dead in a pile of burning wood. He recognized the truth that all creatures could die. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 59 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts on His fourth journey, passing through the city's northern gate, the prince saw a serene ascetic with a controlled senses. This ascetic is a form created by the gods. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 60 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts one night Gopa had a nightmare. The prince interpreted the sign as the fruit of the princess's virtue, a sign of blessing. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 61 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts to prevent the Bodhisattva from leaving the palace, the king offered everything. And the prince asked that he not grow old, sick, die, and that his wealth would not diminish. Unable to grant, the king allowed the prince to leave. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 62 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the prince's stepmother, Maha Prajapati Gautami, ordered the beautiful ladies to watch over her so as not to leave the palace that night. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 63 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the women then fell asleep, with an unpleasant attitude, disheveled, saliva dripping down, gnashing teeth, snoring, and parts of their bodies exposed. Seeing that, the prince was more determined to leave worldliness. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 64 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the prince was determined to leave the palace that night, and ordered his servant, Chandaka, to bring his beloved horse, Kanthaka, so that he could depart. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 65 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the prince, accompanied by the gods, begins His journey out of the palace, towards his quest for freedom. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 66 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts after traversing many lands, the Bodhisattva dismounted from his horse, dissolving the gods who had protected his journey, for he now had to fight alone. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 67 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the bodhisattva took off his crown, cutting off his hair with a sword. The gods took His crown and hair. The relics of hair are kept and worshipped in the Paradise of Trāyastriṃśa in Cetiya Cudapratigrahana. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 68 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts Bodhisattva wants to change into appropriate clothes. A god appears, disguised as a forest encroacher. The bodhisattva then exchanged clothes with him. The prince's clothes were taken by the gods to heaven. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 69 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the gods gathered again, worshipping the prince who had now become an ascetic, he declared that he would attain enlightenment and guide people out of the suffering of the cycle of death and rebirth. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 70 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts bodhisattvas visit various hermitages to seek guidance. The first two ascetics were led by a female ascetic, the first was a female brahmin Sakya, and the second was Padma. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 71 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Bodhisattva met two other sages, Raivata and Rajaka, before going to the great hermitage of Ārāḍa Kālāpa in Waisali. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 72 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the bodhisattva in a short time mastered all that Ārāḍa Kālāpa taught. The teacher then offered Him to be a co-leader. Realizing this achievement did not lead to complete liberation, the Bodhisattva left asceticism. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 73 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts afterwards, the Bodhisattva went to Rājagṛha, the capital of Magadha. When he entered the city, welcoming the alms, the people were amazed by his portrayal. King Bimbisara also saw Him, and gave alms. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 74 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts king Bimbisara told people to follow him. Arriving at the Pandava hills, the king met him, and offered him half of the kingdom. The bodhisattva refused. The king begged the Bodhisattva to return and teach when he had attained enlightenment. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 75 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Bodhisattva met Rudraka, who taught the highest level of silence meditation to his seven hundred disciples. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 76 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts Bodhisattva abandons asceticism. Five Rudraka students followed Him. They are a group of five virtuous ascetics (Bhadra Pañcavaggiyā). They went to the outskirts of the village of Senapati near Gayasirsa, and began their life of extreme asceticism. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 77 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the bodhisattva begins a deep deep meditation, eating only very little, and doing meditation without breathing. So heavy, that some gods thought he might have died. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 78 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Bodhisattva's mother, who was reborn in Heaven Trāyastriṃśa, at the request of the gods, came down and asked if she had failed to fulfill the prophecy. The bodhisattva affirms that he still fulfills all that is foretold. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 79 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts mara approached the Bodhisattva and tried to persuade him to surrender. However, the Bodhisattva rebuked and expelled him. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 80 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts since he never attained enlightenment, the Bodhisattva decided to eat enough to survive and have a stable mind. The gods offered to give Him heavenly food through the pores of the skin. The bodhisattva decided to eat food in a reasonable way. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 81 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts five ascetics left the Bodhisattva because they thought he had abandoned His efforts. A group of girls led by Sujata came and gave Him food. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 82 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the bodhisattva took the rag from the corpse of Radha, who had just died. When he was about to wash him, the gods made a well for him, and Sakra put a washing stone for him. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 83 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts then the gods descend and present to the Bodhisattva a clean robe that has been given a suitable color. The bodhisattva accepts and changes His robes. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 84 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts sujata prepares the milk rice, sends his servant, Uttara, to find the recipient of the donation. Wherever Uttara went, with the power of the gods, he saw only the Bodhisattva. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 85 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts sujata gave food in a golden bowl to the Bodhisattva. He then went to the Nairanjana river to bathe and cool down. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 86 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts when the Bodhisattva entered the river to bathe, the gods gave fragrance to the water and sprinkled heavenly flowers. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 87 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts after bathing, the Bodhisattva looks for a place to sit. A Serpent goddess saw this, and offered him a jeweled throne. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 88 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Bodhisattva now sat on the throne built for him, eating the leftover milk rice that Sujata had given him. Asking the Serpent king for the bowl, then taking the bowl to Heaven Trāyastriṃśa to be kept and worshipped. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 90 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the swastika, the lawnmower, gave a bundle of kusa grass to be the Bodhisattva's sitting mat under the bodhi tree. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 91 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the gods gathered when the Bodhisattva approached the bodhi tree, and saluted him. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 92 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the gods prepared 84000 bodhi trees. Wishing the Bodhisattvas were sitting under the tree they were decorating. The bodhisattva made the tree-makers see that he was sitting under all the trees. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 93 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the bodhisattva sits on the roots of the bodhi tree. The Buddha's realm in the entire universe is bright, all beings in it can see what is happening. The superior Bodhisattvas throughout the Buddhist realm became amazed. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 94 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts mara and his army invade the Bodhisattva, preventing Him from attaining enlightenment. They shot arrows. The bodhisattva remains calm and centered. The arrow turned into a flower and fell to the ground. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 95 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts preventing the Bodhisattva from enlightenment, Mara sent her three daughters to dance before Him, displaying the charm of sensory pleasure. However, the Bodhisattva remains steadfast in His purpose. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 96 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the bodhisattva in the three hours of the night watch attains the heavenly eye, the knowledge of the emergence and passing of beings according to karma, as well as the knowledge of the destruction of the main stain, and attains full and perfect enlightenment. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 97 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts all the other Buddhas in the universe are aware of Gautama's achievements, sending Dharma gifts, jewels, and umbrellas. The gods also celebrated. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 98 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Buddha spent the first week admiring the bodhi tree where he attained enlightenment. At the end of that period, the gods approached and bathed the Buddha with fragrant water. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 99 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the third week after enlightenment, the Buddha sat on the diamond throne contemplating enlightenment, displaying an undaunted hand attitude, warding off evil from all beings. The gods sit around celebrating the Buddha's achievements. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 100 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts in the fourth week after enlightenment, the Buddha crossed the ocean in the east to the ocean in the west, with a youth-like attitude. The gods are listening. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 101 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts in the fifth week, a big storm appeared. To protect the Buddha, the Serpent King Mucilinda wrapped himself around the Buddha, sheltering him with his seven veils like umbrellas. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 102 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Buddha met representatives of various ascetic groups. They asked how He had gotten through a week full of bad weather. The Buddha replied that those who know the Dhamma always live comfortably. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 103 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts in the seventh week after the Enlightenment, two merchants, Trapusa and Bhallika, met the Buddha. The Buddha showed his ascetic robes, and they offered alms. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 104 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts lacking the tools to receive food donations from merchants, the Four Emperor Gods came up with four stone bowls for Him. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 105 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts taking milk from a thousand cows, and purifying it repeatedly; Trapusa and Bhallika offered food in jeweled vessels to the Buddha. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 106 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Buddha was reluctant to teach because it was difficult to make others understand His penetration. Maha Brahma Sikhi, surrounded by other gods, approached the Buddha and asked Him to teach. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 107 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Tathagata still did not agree to teach. The lord of the gods, Sakra, came to Him and pleaded in verse. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 108 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Buddha was asked once again by the Sikhi to teach. Buddha scanned the whole world, realizing that there were three classes of beings, and there would be some who would be able to understand His teachings. He then agreed to teach the Dharma. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 109 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Buddha's journey to Ṛṣipatana. The Sudarsana Serpent took a bowl, filled it with food, and then donated it to the Buddha. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 110 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts after the Buddha began His journey, he met a group of Ājīvaka near Gayā. One of them remarked how calm the Buddha looked and asked who was his teacher? The Buddha replied that he had no teacher, but was enlightened himself. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 111 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Serpent King Sudarsana gave a variety of offerings. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 112 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Buddha sat on the throne again on the platform, and His hands blessed His guests at Rohitawastu. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 113 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Buddha stands on the right with His hands outstretched to give blessings. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 114 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Buddha sat in this relief in the midst of a large crowd of people, many of whom were carrying offerings. He raised His hands in mudra vitarka and was therefore teaching. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 115 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Buddha would cross the Ganges. The boatman asked for a payment. Unable to pay, the Buddha crossed with his own main strength. From then on, King Bimbisara freed all ascetics from having to pay to cross the river in his territory. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 116 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts after crossing the Ganges, enter Varanasi and then do a charity reception in the city in the morning. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 117 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Buddha walked to the Deer Park in Ṛṣipatana, meeting the Five Virtuous Ascetics. They initially did not want to welcome. But, when the Buddha approached, they got up and treated him with respect. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 118 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the Buddha now sits in the center of the relief on the great throne and the Group of Five Ascetics have been miraculously transformed into monks after they received the Buddha's Enlightenment. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 119 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts the monks, having apologized for their transgressions for not welcoming the Buddha, now made arrangements to take the Buddha to a nearby pond where they would bathe Him. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 120 in the Lalitavistara sequence on Level 1 presents an episode from the Buddha's sacred life narrative. The scene depicts after finding the place where all the past Buddhas sat when They delivered Their First Revelation, the Buddha approached that place and sat down, and began His teaching career. Lalitavistara concludes the story of life at this point, describing the story of the Bodhisattva from Tusita Heaven to the first manifestation of the Buddha. It is relevant for searches about Borobudur, the life of the Buddha, Siddhartha Gautama, Buddhist biography, and Javanese narrative sculpture.

Relief 1 in Avadana 1 (Main Wall, Lower Level) on Level 1 presents an Avadana narrative about merit, devotion, and moral consequence. The scene depicts the King of the North and his queen in the palace courtyard are receiving visitors. This panel supports research into Borobudur Avadana reliefs, Buddhist merit-making, devotional action, moral causality, and narrative temple sculpture.

Relief 2 in Avadana 1 (Main Wall, Lower Level) on Level 1 presents an Avadana narrative about merit, devotion, and moral consequence. The scene depicts the King of the South went hunting with the servants and the brahmins of the way, he learned that his kingdom was destroyed by his unjust rule, and that his people had left his country for the North. This panel supports research into Borobudur Avadana reliefs, Buddhist merit-making, devotional action, moral causality, and narrative temple sculpture.

Relief 3 in Avadana 1 (Main Wall, Lower Level) on Level 1 presents an Avadana narrative about merit, devotion, and moral consequence. The scene depicts the serpent Jamnacitra meets the Halaka Hunter. The hunter rescues the Janmacitra Serpent from the brahmins who will capture him. This panel supports research into Borobudur Avadana reliefs, Buddhist merit-making, devotional action, moral causality, and narrative temple sculpture.

Relief 4 in Avadana 1 (Main Wall, Lower Level) on Level 1 presents an Avadana narrative about merit, devotion, and moral consequence. The scene depicts the serpent Jamnacitra brought the Halaka Hunter to his palace and gifted him a magic snare at the hunter's request. This panel supports research into Borobudur Avadana reliefs, Buddhist merit-making, devotional action, moral causality, and narrative temple sculpture.

Relief 5 in Avadana 1 (Main Wall, Lower Level) on Level 1 presents an Avadana narrative about merit, devotion, and moral consequence. The scene depicts halaka the hunter catch Kinnari Manohara with a magic snare, the other kinari fly away. This panel supports research into Borobudur Avadana reliefs, Buddhist merit-making, devotional action, moral causality, and narrative temple sculpture.

Relief 6 in Avadana 1 (Main Wall, Lower Level) on Level 1 presents an Avadana narrative about merit, devotion, and moral consequence. The scene depicts halaka the hunter presents Manohara to Prince Sudhana who is hunting. This panel supports research into Borobudur Avadana reliefs, Buddhist merit-making, devotional action, moral causality, and narrative temple sculpture.

Relief 7 in Avadana 1 (Main Wall, Lower Level) on Level 1 presents an Avadana narrative about merit, devotion, and moral consequence. The scene depicts evil advisors instigated the King of the North to send Prince Sudhana to the battlefield. This panel supports research into Borobudur Avadana reliefs, Buddhist merit-making, devotional action, moral causality, and narrative temple sculpture.

Relief 8 in Avadana 1 (Main Wall, Lower Level) on Level 1 presents an Avadana narrative about merit, devotion, and moral consequence. The scene depicts Sudhana said goodbye, asking his mother to protect Manohara and let him escape if he was in danger. This panel supports research into Borobudur Avadana reliefs, Buddhist merit-making, devotional action, moral causality, and narrative temple sculpture.

Relief 9 in Avadana 1 (Main Wall, Lower Level) on Level 1 presents an Avadana narrative about merit, devotion, and moral consequence. The scene depicts Sudhana meets the yakṣa king Waisrawana and the yakṣa who help him win the battle. This panel supports research into Borobudur Avadana reliefs, Buddhist merit-making, devotional action, moral causality, and narrative temple sculpture.